Things are getting fuzzy!

Knit Picks Galileo in "Gem" on size 3 (3.25 mm)

Spinning and swatching have taken up my fiber time lately.  I've been working on wooly goodness to put into my Etsy shop as well as spinning more singles for another embellished yarn.  Swatching for some new projects as well.  Sometimes it is nice to start looking into my next few projects when I feel ready to stall out on my current one.  Shipwreck is in that particular spot right now... a little too much time on really fine yarn and fiddly lace has me hungry for some super simple take along type of projects.  That being said, naturally the first thing that grabbed me was the extra-super-duper fiddly cabled cardigan called Tapestry.  I'm nuts - I know.  But the swatch was plain stockinette with garter borders, so it met the need of super easy knitting that I needed just then.  Of course the photo also gives me away - I've cast on for the sweater and I'm a couple rows into it.  Didn't I just frog out a cabled sweater?  Ummmmm..... yes, but I guess I'm ready for more punishment on even finer yarn and smaller needles.  Learning from recent mistakes doesn't always happen in my case evidently.

Combed Romney nests up for sale

Other fiber madness includes this batch of delightful fluff.  This is hand combed Romney that I processed on my English 4 pitch combs.  I mentioned them and discussed the process back in the Wicked post.  It is a very nice way to get lovely spinning fiber out of clean but trashy (with VM) fleece.  Spinning from hand combed top is such a pleasure.  The fiber is arranged in parallel fashion, so the spining is so smooth and wonderful!  I like texture too, but nothing beats combed fiber for a lovely smooth singles when spinning.  This Romney is pretty typical of the breed, long and silky fiber.  Not as harsh as most of the longwools and a terrific fiber on which to learn spinning.  There is also something about spinning the pure, undyed, creamy natural wool.  My passion for color in spinning doesn't often give me the time to do much white, but this fiber may just find a place in the lineup sometime very soon.  This particular batch is listed here in my Etsy shop.  I'm working on more of this fleece in dyed colors as well.  Those will go up in the shop as soon as I'm finished combing them.

Original pair of swatches for Knit, Swirl jacket

Another fun project that I'm still swatching is a jacket from the book Knit, Swirl by Sandra McIver.  I've wanted to do one of these lovely knitted works of art for several years, so I finally bought the book and raided my stash for these swatches.

The rich purple is a mohair that has been in my stash for years, just waiting for the right project to showcase it's beauty.  Being mohair, it isn't next to the skin soft, but it has such a wonderful fluffy halo that it should work well in this jacket.  The one on the bottom is the handspun that has made several appearances in this blog.  It is the Dolly Dorset with Louet Northern Lights in Wild Berry Jam.  These swatches were done on the same needles with the same stitch count and pattern, and they don't match up for size.  Bummer, but that is why I do swatches, to find this kind of thing out before I charge into a project.  I've learned this the hard way... so I do a lot more swatching than I used to.  Since the tags aren't really visable, I'll give the details here.

The mohair swatch is done in Millie Mohair that I've had in my stash since 1992 or so.  I remember buying it back when I lived in Colorado from a shop called the Recycled Lamb.  I believe that they are still in operation - I've encountered them on Ravelry from time to time. 

Back to the swatch: I cast on 24 stitches with the plan of a three stitch garter border and worked it up on size 7 (4.5 mm) needles.  Did four rows of garter stitch and then worked the stockinette center section and finished up with another four rows of garter stitch.  Bound it off and gave it a bath.  Who knew such fine yarn would work up in nearly Aran weight?  The fabric is light and airy, but the fuzz really fills it up!  I also notice that it has a definite tendency to bias which is good to know.  I didn't block it hard because I wanted to know what it wanted to do on its own.  Worked up at four stitches per inch, just a bit too big for the gauge called for in the pattern.

The second swatch is the handspun done up in the same fashion.  But it washed up nice and square - being a three ply yarn really helps it to behave as a more stable yarn construction.  This swatch worked up at just over five stitches per inch. 

New swatch showing the welted construction,
done in two different needle sizes

Tough decisions now... do I switch yarns, or switch needles to make these yarns work together?  The first thing I sampled was to change needle sizes to make the gauge match and it worked pretty well.  But, and here's the big problem, I don't like it as much.  Knitting the mohair on size six (4 mm) needles makes it firmer than I really want and really compresses the fluffy fun that makes the yarn such a treat.  I also find that I'm not as wild about the handspun on the size 8 (5 mm) needles.  A bit too floppy for my taste, and I think the colors just don't really go together as well as I'd hoped.  So, I'm back to the drawing board.  What I'm considering now is a very plain yarn with the mohair so there is less competition between the yarns.  I'm also thinking that I may alternate rows to spread out the fluff a bit.  The welts will still show up well I think, but I'll need to swatch it to be sure.  I'm not wild about the visible purl bumps between the welts, so I may match up the yarn on those rows to help them blend in better.  So, now I'm in search of a new background yarn to use with the mohair.

Knitting lace for Christmas...

Annis shawlette in Wiggly handspun
on the needles

As time goes on, I find that I enjoy the challenge of lace.  This lace shawlette is one I've done before - in my own handspun.  I showed you a picture of it in progress, at about the point where the current shawlette is on my needles now.  This is the Annis pattern from Susanna IC.  Granted that my handspun is a heavier weight than the yarn I'm using now - but the shawlette really turned out well.  Looking back, I never showed you the finished project, so here is a shot of it on the blocking board.  It is pinned out while still wet from its bath so that it will dry with all the gorgeous lace pulled out flat.  As you can see from the "before" shot on the needles, it isn't impressive as it is in progress.

Annis shawlette in Wiggly handspun
 on the blocking board

This is a relatively simple pattern, and I love the striping that happens in the stockinette section on the shawlette.  I blocked it into a crescent shape, thinking that the tails would stay in place better.  The nice thing is that I can change my mind and reblock it in a different shape when I wash it next time.

I took a couple shots on the dress form to show it on a person-shaped form.  I like the way it turned out.  I pinned it in place fully open, but in reality, I'd probably put the ends over my shoulders for the warmth of double thickness on my neck and shoulders.

Annis shawlette - back view

Annis shawlette - front view

Another way I could wear this is with the wide part across the front and the pointed ends pulled to the front as well.  Didn't take a picture that way though.  I guess I didn't think of that while I had the dress form out. 





Mom's Annis shawlette in Malabrigo

In any event, I'm working this one again in Malabrigo that I bought for my Mom about a year ago.  We were planning to knit this together and the lace was a bit too intimidating for her.  I'm doing it for her Christmas present this year.  I'm ten rows into the lace pattern, and the yarn is far different and quite a bit finer than my handspun.  I don't have the ball band from this lovely yarn, but it is mostly a lovely grape color with some blue shading.  Since it is still on the needles, I've pinned it out to show off the lace patterning.  The first set of nupps is done... not my favorite, but once I started using a small latch hook to finish the second row I was much happier with the outcome.  The nupps take two rows, the first row is to create seven stitches from one and the second row takes the seven stitches back to a single stitch.  This leaves a small bubble of yarn on that spot in the pattern.  There will be a chevron of five nupps that follows the points in the lacework.  Nice effect, so I'll do them for Mom's shawlette.

 

Here's the fun part.  I found some interesting soft laceweight yarn in a pleasant variegated gray to black.  This is Patons Lace in the Patina colorway.  Slightly fuzzy and mostly acrylic (80% acrylic, 10% mohair, 10% wool), so I was worried about how it would hold up to blocking.  I knitted up a swatch of the lace pattern and used beads in place of the nupps.  I just did a loop around the needle tip as a place holder of sorts where the nupp would appear.  That loop was unwound and I threaded a relatively large round bead onto the loop.  I like the result, and it gives a pleasant weight to the edge of the sample.  These beads are 6mm size and are just a bit larger than I really want unless I find some that really speak to me.  I was sampling to find the largest beads I'd use in this pattern and I think I found this to be about the maximum size.  I washed and blocked the swatch and it seems to be holding its shape relatively well.  The photo was shot with the swatch loose on a smooth surface, and it hasn't pulled back much so I'm calling it a success.

Wisconsin Sheep and Wool Festival 2012

Amazing weekend!  Took some vacation time and had a wonderful time at this fiber fair.  Probably the best and largest one that is close to me.  It runs from Friday to Sunday and just finished up its eleventh annual event.

As I think back on it, this festival started as a sheep show and has grown into the amazing event that it is now.  It has a full livestock show, fleece show and auction, vendors in two large barns, a sheepdog trial that runs all three days and classes from nationally known instructors.

This year I entered the Open Handspun Skein Competition in two categories.  Experienced adult spinner class - fine yarn lot, and Drop spindle class - medium lot.  The entry for the first one was a yarn that I just finished, I called it Deep Blue Sea and my plans for it are a very large shawl called Shipwreck so I still have a lot of spinning to do!  The shawl requires 1600 yards of fine yarn.  The skein I entered will be used for part of the beaded netting that the pattern calls for out near the edge.  I may alternate the sequined rows with the regular yarn, I'll sample it and see.  Here's what the yarn looks like:


Deep Blue Sea

Deep Blue Sea - swatch

It is a three ply yarn, one ply is a varigated wool from Louet called Northern Lights in the Violets colorway.  It shades from purple to lime green through several shades of blue.  One ply is a lambswool, angora and nylon blend in purple.  The third ply is sewing thread strung with 3mm amethyst iris sequins.  As I plied the yarn, I pushed in a sequin about every 3-4 inches so they would appear about once every knitted inch.  The Shipwreck pattern calls for beads at random intervals, so I thought this would work for me since they sequins are already in the yarn.  Beads strung on yarn have a number of concerns for me.  Sliding the beads along the spun yarn abrades the yarn unless the beads are very large.  If the beads are smaller there is the problem of a thick spot in the yarn that the beads might not fit over, and that is always possible on handspun.  I also made a small swatch, the competition required it to be quite small, so the motif from the shawl pattern was much too large.  I chose a small eyelet pattern from Barbara Walker's Second Treasury.

Blue Neon 3 ply and extra black chain ply

Blue Neon - swatch

The other yarn I entered was also a three ply.  Spun on a drop spindle, this yarn was one ply of a handpainted BFL (Blue-Faced Leicester) roving from Frene Creek Farm my favorite local shepherd.  The other two plies were made from a 50/50 blend of "Dusty" a fine wool covered Corriedale fleece from a shepherd in Colorado (no longer has a web presence) and some black alpaca roving. This photo shows the extra black yarn chain plied on top of the Blue Neon skeins.  I called this one Blue Neon because of the way it worked up - the skein showed brilliant color against the black background which was the look I was after with this combination of fiber.  The swatch shows a nice, shadowy stripe of the varigation of the handpaint.  I did like the swatch at this weight the best.  This one was done on size 4 needles and had the suppleness I'd want for a sweater or vest.  I had also done a swatch for socks on size 2 needles.  It is also pleasing to me, but I think this will probably become outerwear.  Might use some as an accent on socks, but since there is no nylon in this blend, it might not wear well enough for socks.

The skein competition was interesting to watch.  The instructions were that no talking or questions would be allowed, and the judge worked in silence.  Disappointing to me, after listening to the wool judge on the prior day.  He chattered away as he judged the fleeces.  Talked about what he looked for and what he was finding as he worked his way through the many fleeces in that show.  Just a difference in the way the two judges worked.  Perhaps there is a tradition there as well... I don't know, but I did enjoy the way the talkative judge worked.  I think I learned more from that method.

The results were available after the judging and I was allowed to keep my score sheets, which I appreciated.  Sadly, there were no comments on the papers, just the numerical scores.  The nice thing was that I was permitted to speak with the judge when she was finished.  The standard calls for perfection, and appears to compare the handspun skeins to millspun yarns.  I fared pretty well, my Deep Blue Sea got 96/100 points and the Blue Neon got 100/100 points.  Both were awarded second place ribbons.  Deep Blue Sea was topped by a bamboo/silk 2 ply that was perfectly even.  Not as pretty, in my opinion, but it was perfect.  Blue Neon was beat by a beautiful heavier weight two ply, that again, was perfectly even.  That skein also won Best In Show.  I'm content, my scores were very good, and I still love my yarn.  Actually, the judge did too, as I learned in our conversation after the judging was done.  She told me that she knew how difficult it is to ply with sewing thread and that she just LOVES sequins.  So..... I think she liked my yarn - quite a lot.

Will I do another competition?  I don't know.  I learned a lot, but I also know that my yarn scores very high in such a competition.  That part was quite satisfying.  The payout isn't really enough to make me want to do very much of this.  Each of those skeins represent many hours of work, and though the booth was attended, I was uncomfortable leaving my hard work out there for the whole weekend.


Swatching for the Tam...

Swatch for tam before felting

Ahh, the joys of felting... I think I'm one of those oddballs that actually enjoy the swatching process.  I've done up the swatch in Firecracker Heather Wool of the Andes Worsted from Knit Picks (find it at: http://www.knitpicks.com/ ).

Before felting this swatch measures 6" wide by 6 1/2" high across the full swatch.  Just the stockinette portion measures 4 3/4" wide by 5 1/2" high and is 19 stitches by 28 rows.

The tam is an historically correct version from Piecework magazine (love that historical knitting!) and will be paired with a set of kilt hose done in intarsia.  I dyed the yarn for the yellow in the Wallace tartan since it wasn't available in both of the yarn types I was using and I wanted the pieces to match as much as possible.  The kilt hose will be done in a lightweight two ply yarn called Palette (also from Knit Picks).  Here are the shots of the yarn with the magazine photo so you'll have some idea of what I'm talking about.


Yarns and photo of kilt hose

Here are the kilt hose, very interesting pattern.  These are knitted flat and seamed, that will certainly make the intarsia easier, but I'm thinking that I'd be supremely irritated by a seam on the foot of my sock, so I'm going to modify the pattern to do the foot in the round so that there will be no seam to irritate the foot.  The tartan is Wallace, red, black and bright yellow although the photo doesn't show it well.  The yellow yarn is hand dyed by me in Brilliant Yellow acid dye from Dharma Trading Co.  It is a great way to get the colors I want for this project.  Fun to do too!

Then there is the photo of the tam along with the yarn, tartan and photo from Piecework - interestingly enough these both came from the same issue of the magazine, how cool is that?

Yarns and photo for tam

So, next thing is to go and felt the swatch and to re-measure and adjust the pattern for size.  Then I can start on the actual tam, I haven't done felting like this in years and I really enjoyed it in the past.  Did a pair of slippers as a gift for my brother years ago - styled like chukka boots, the two eyelet ankle high style.  Remember those?  The felted "fabric" turned out so thick and soft - the knitted stitches became nearly indistinguishable.  I have also located a neat felted pattern for slippers for myself.  It uses both a superwash and a feltable wool... more on that later since it is quite a way down the knitting queue.



Tidy mind, tidy stitches (K&C Blog Week - Day 3)

Hoooooo boy.  This is the tough topic for me.  In many ways, I'm very organized and in many more I can't begin to claim mastery over my stash. 

A number of ideas leap forward:

-I tend to buy stash in bunches, with long spaces in between.  For instance, my last buy was on my birthday last month.  Had a wonderful time, and didn't plan on buying anything except the green yarn for "Pretty Thing".  My prior buy was a Knit Picks order for yarn to make a Tam and Kilt Hose for a match to a Wallace Tartan kilt.  Before that, a couple fleeces from my favorite shepherd (one of them was a 13 pounder from a Corriedale ram named Jake, the other was a pale silvery blue-gray from a sheep named Sierra, whose fleece I'd bought the year before).  As I look at it, and think about it some, the sequence seems to repeat itself.  I'll buy fleece for a while, then some rovings or top in fun colorways, then yarn.  I love to spin and knit, but I tend to do a little of each, rather than long marathon runs of either one.  Hmmm, hadn't thought of that before.

-My stash includes yarn, of course, as well as roving, top and fleeces in various stages of processing.  If you've been following this blog, you've read about my adventures with the Nasty Romney fleece.  It is, at last, all washed and dyed.  Some left white, just for fun, but I've been picking and starting to spin the stuff.  I can't say that it has been purely wonderful to work with, but I am finding that I enjoy the silky nature of the Romney.  It really wasn't what I had expected, and that is part of the fun of spinning.

-I do tend to work through a fleece, start to finish.  Rather like I've been blogging about with the Nasty Romney and Dolly Dorset in earlier posts.  Instead of leaping from one fleece to another, I notice that I try out a lot of ideas with the fleeces I'm working with at the moment.  I do a lot of swatching and small batches and I really enjoy the process.  This way, I get to find out what I like about the fiber.  Like the Louet Northern Lights top in Wild Berry Jam.  Spun up the singles in January, tried doing a Navajo ply of it and just didn't like the visual overload.  So I backed up, spun some dark gray Dorset and did a two ply, then a three ply sample of that.  Preferred the three ply and made up the rest of the LNL in that configuration.  Incidentally, I have another colorway of the LNL called Violets that I'll probably process in a similar fashion.  Probably with a white wool, since there is a little white in the Violets colorway.

-I've noticed that I like to look at my singles for a while before I charge into plying them into yarns.  Sample a little of this, a little of that.  Find a yarn I like, knit up a small swatch and live with it a while.  If I still like it, I'll spin off the rest and stash the yarn.

-I am also starting to catalog my stash in Ravelry.  Since I didn't know that it existed until recently, this is an ongoing work in progress.  But I'm pleased to have found a system that is workable.  I may develop some kind of scrapbook to show the start to finish nature of fleeces to fabrics.  I do enjoy the process and being able to keep shreds of evidence along the way is a nice little bit of personal history.

-Once I launch a project, I'm pretty organized about keeping the whole package together while it is in process.  I dislike the waste of time when things I need aren't in my working bag.  At the moment my knitting bag has a couple projects in it.  The instruction/pattern sheets are all on a clipboard together.  Swatches and extra balls of yarn are there along with my plastic zipper bag of tools - crochet hooks, needle tips and cables, cable needles, yarn darning needles, gauge measuring tools and such like.  I've got a separate bag that I take to work, single project, idiot-proof stockinette.  I work on it until I get to a part that requires a lot of attention and switch it out for another piece of idiot-proof stockinette.

-I've got a lot of patterns and books, but I don't carry them around with me.  I make a copy of the page I'm working on, and then I feel free to write on it, mark it up and use it to work the piece.  When I'm done, some of those pages go back into the original book - notes about what worked, what didn't and where the pattern had things that didn't seem clear - those things are VERY useful if I ever use that pattern again.

So, overall, I may not be completely organized.  But I'm getting better all the time!

March Stashdown Goal

Ta-daaaaa!  I had an idea (it didn't hurt either...)  For this month, I'm going to do a color gradation study.  I'll do four one-ounce batts in different amounts to test heathering on color tones.  I'll use Dolly for the neutral and the green Nasty Romney for the color. 

Dolly the Dorset

For the first batt, I'll do 100% Green and no Dolly.  Spin it and knit up a swatch to attach.

For the second batt, it will be 75% Green and 25% Dolly.  Spin and swatch.

For the third batt, 50% of each. Spin and swatch.

For the last one, 100% Dolly. Spin and swatch.

Green Nasty Romney

I saw something like this in Deb Menz's book Color in Spinning a long time ago.  My copy is packed away in a box somewhere.  When the weather warms up I'll try to find it and do some more of this kind of testing for myself.  I have a sweater that I just adore that is made up of several heathered yarns, and each color is so much more interesting than a plain, single color yarn.  So I would like to examine some of those possibilities for myself.

Off to the carder...







Progress Report...

Busy week... had a birthday and celebrated by contributing to my stash.  I'll shoot photos of that for next time.  But for now, here's what is happening with the LNL and Dolly yarn for the Stashdown.

This shot shows how much (OMG!) LNL is still left on the bobbin and a few of the many batts I'm still spinning to finish up the plied yarn I'm making.  Did a couple small skeins of the "magpie" yarn to use as an accent and there is the swatch again so you can see the whole picture.  I've got about two half bobbins done of the Dolly singles, and I'll ply those tonight for another skein.

One thing about this stashdown - I sure picked a whopper of a target for this goal!  I'm looking at March with a more sensible eye now... I need to remember that I'm still working full time and that the weather is warming up.  Pen orders are starting to come in now too, and I'm thinking about some other turned things that I want to get rolling on - like spindles, small bowls and maybe some other surprises!

Off to spin again!