Wisconsin Sheep and Wool Festival 2012

Amazing weekend!  Took some vacation time and had a wonderful time at this fiber fair.  Probably the best and largest one that is close to me.  It runs from Friday to Sunday and just finished up its eleventh annual event.

As I think back on it, this festival started as a sheep show and has grown into the amazing event that it is now.  It has a full livestock show, fleece show and auction, vendors in two large barns, a sheepdog trial that runs all three days and classes from nationally known instructors.

This year I entered the Open Handspun Skein Competition in two categories.  Experienced adult spinner class - fine yarn lot, and Drop spindle class - medium lot.  The entry for the first one was a yarn that I just finished, I called it Deep Blue Sea and my plans for it are a very large shawl called Shipwreck so I still have a lot of spinning to do!  The shawl requires 1600 yards of fine yarn.  The skein I entered will be used for part of the beaded netting that the pattern calls for out near the edge.  I may alternate the sequined rows with the regular yarn, I'll sample it and see.  Here's what the yarn looks like:


Deep Blue Sea

Deep Blue Sea - swatch

It is a three ply yarn, one ply is a varigated wool from Louet called Northern Lights in the Violets colorway.  It shades from purple to lime green through several shades of blue.  One ply is a lambswool, angora and nylon blend in purple.  The third ply is sewing thread strung with 3mm amethyst iris sequins.  As I plied the yarn, I pushed in a sequin about every 3-4 inches so they would appear about once every knitted inch.  The Shipwreck pattern calls for beads at random intervals, so I thought this would work for me since they sequins are already in the yarn.  Beads strung on yarn have a number of concerns for me.  Sliding the beads along the spun yarn abrades the yarn unless the beads are very large.  If the beads are smaller there is the problem of a thick spot in the yarn that the beads might not fit over, and that is always possible on handspun.  I also made a small swatch, the competition required it to be quite small, so the motif from the shawl pattern was much too large.  I chose a small eyelet pattern from Barbara Walker's Second Treasury.

Blue Neon 3 ply and extra black chain ply

Blue Neon - swatch

The other yarn I entered was also a three ply.  Spun on a drop spindle, this yarn was one ply of a handpainted BFL (Blue-Faced Leicester) roving from Frene Creek Farm my favorite local shepherd.  The other two plies were made from a 50/50 blend of "Dusty" a fine wool covered Corriedale fleece from a shepherd in Colorado (no longer has a web presence) and some black alpaca roving. This photo shows the extra black yarn chain plied on top of the Blue Neon skeins.  I called this one Blue Neon because of the way it worked up - the skein showed brilliant color against the black background which was the look I was after with this combination of fiber.  The swatch shows a nice, shadowy stripe of the varigation of the handpaint.  I did like the swatch at this weight the best.  This one was done on size 4 needles and had the suppleness I'd want for a sweater or vest.  I had also done a swatch for socks on size 2 needles.  It is also pleasing to me, but I think this will probably become outerwear.  Might use some as an accent on socks, but since there is no nylon in this blend, it might not wear well enough for socks.

The skein competition was interesting to watch.  The instructions were that no talking or questions would be allowed, and the judge worked in silence.  Disappointing to me, after listening to the wool judge on the prior day.  He chattered away as he judged the fleeces.  Talked about what he looked for and what he was finding as he worked his way through the many fleeces in that show.  Just a difference in the way the two judges worked.  Perhaps there is a tradition there as well... I don't know, but I did enjoy the way the talkative judge worked.  I think I learned more from that method.

The results were available after the judging and I was allowed to keep my score sheets, which I appreciated.  Sadly, there were no comments on the papers, just the numerical scores.  The nice thing was that I was permitted to speak with the judge when she was finished.  The standard calls for perfection, and appears to compare the handspun skeins to millspun yarns.  I fared pretty well, my Deep Blue Sea got 96/100 points and the Blue Neon got 100/100 points.  Both were awarded second place ribbons.  Deep Blue Sea was topped by a bamboo/silk 2 ply that was perfectly even.  Not as pretty, in my opinion, but it was perfect.  Blue Neon was beat by a beautiful heavier weight two ply, that again, was perfectly even.  That skein also won Best In Show.  I'm content, my scores were very good, and I still love my yarn.  Actually, the judge did too, as I learned in our conversation after the judging was done.  She told me that she knew how difficult it is to ply with sewing thread and that she just LOVES sequins.  So..... I think she liked my yarn - quite a lot.

Will I do another competition?  I don't know.  I learned a lot, but I also know that my yarn scores very high in such a competition.  That part was quite satisfying.  The payout isn't really enough to make me want to do very much of this.  Each of those skeins represent many hours of work, and though the booth was attended, I was uncomfortable leaving my hard work out there for the whole weekend.


Finished yarn... love this one!

This is the finished yarn that I've been working on for a while.  The blue variegated ply came from Frene Creek Farm and is one of her lovely handpainted BFL (Blue Faced Leicester) rovings.  Since it is only four ounces, I wanted more possibilities, so I spun two extra plies to show off the variegation better and also to have a solid color yarn to go with the boldness of the pattern yarn.

For the solid plies, I wanted softness and blackness. That made alpaca my first choice.  A black that gobbles up light would showcase the brilliance of the blues.  So I started spinning.... and discovered that pure alpaca top doesn't agree with my spinning style all that well. I dug into my stash for the finest, blackest wool I had on hand.  It is a Corriedale fleece from my favorite Colorado shepherd, from her sheep Dusty.  Nearly as fine as Targhee, so delightfully soft.  I washed up some of the fleece and blended it at the drum carder at a 50% alpaca and 50% Dusty Corriedale wool.  It spun like a dream, and is nearly indistinguishable from the pure black alpaca.

The first shot was color corrected but not corrected for anything else.  This shot shows more what the yarn really "looks" like.  Cameras can be unkind at macro focal lengths... The dark yarn is a Navajo plied skein of my leftover black.  I can always spin more if I need to, but I wanted to have plenty for finishing up the variegated ply work.

The vital statistics on the finished yarn:

Variegated: 4 skeins of 3 ply yarn, total weight 291 grams (10.3 ounces) and 736 yards.  This yarn is about 1143 yards per pound... I think that lands it somewhere between DK and worsted weight.
Solid: 1 skein Navajo plied yarn, total weight 52 grams (1.8 ounces) and 176 yards.  This yarn is about 1564 yards per pound... a little finer, looks like about sport weight to me.  Haven't washed or swatched these yarns yet, but I'll bet they'll get even softer!

Spinning more yummy stuff... sampling the plies now.  I'll shoot pictures for next time.


Finished skeins of Alpaca blend...

Finally got a couple skeins done of the Alpaca/Dusty/Blue Faced Leicester.  Thought you might like a peek:

Back in January I finished the BFL handpainted roving and I remember not liking the magpie nature of the other handpainted singles that I Navajo plied.  So I sampled it with some pure black alpaca (back on 5/25/2011 in Next Up... Alpaca!)

I finished maybe a quarter of a bobbin of the pure alpaca and decided I was tired of all the drifting apart, it was forcing me to spin singles heavier than I really wanted for this yarn.

Having just washed Dusty's fleece, a lightbulb lit in my brain (don't worry, there wasn't too much smoke) and I decided to blend the two fibers and see what the result would be - sure couldn't be any worse to spin!

 

Here's a reminder shot of the original skein where the two black plies are pure alpaca:

Those two up above are the blended plies - the smaller one has one ply of the pure alpaca and one ply of the 50/50 blend.  Visually, they are identical.  You might be able to enlarge the pictures enough to tell the difference, but I really doubt that I'd let someone close enough to me to do that kind of visual inspection of any finished garment of this yarn!

These new singles are a lot more fun to spin, I can draft in my usual way and spin it up as fine as I want.  No slipping, no drifting apart and lovely fine singles so that the three ply finished yarn will be more like fingering or DK weight when it is finished.  Best yet, this is some of the softest yarn I've ever spun.  The fine wool and the alpaca seem to be made for each other!