Blocked and ready to give...

Front view - Annis shawlette for Mom

Mom's shawlette is done and ready to give for Christmas.  This was a relatively quick knit.  I loved working with the Malabrigo yarn, beautiful color and wonderfully soft!  Way out of my price range, so I really enjoyed working with this fancy yarn.
I've done this shawlette before, and so I was familiar with the pattern.  That certainly helped me get through the nupps - which are not my favorite things to do - but the effect is very nice.  The method I use is not the knitting purist way of doing things.  The nupps on this shawlette are one stitch to seven stitches on the first row and then back to one stitch on the next row. I use a tiny latch hook, I got mine from a knitting machine supplier a long time ago.  Not entirely sure if they are still available, but it is about half the size of the standard rug making latch hooks I've seen in craft stores. The way I use it goes like this: the first row I do on the knitting needles in the normal way, knit one stitch without removing it from the left needle, go back into the stitch and do a yarn over. Repeat until the required number of loops are on the needle. Knit on in the pattern to the end of the row.  When I get back to the nupp on the next row, I slip the loops onto the latch hook and lay the working yarn in the hook, close the latch and draw it through all the loops and re-hang the yarn I drew through onto the right needle.  Then I tighten it up to match the gauge of the rest of the knitting.  Works better for me than trying to use a knitting needle or a crochet hook to capture the yarn without losing all the loops.

Back view - Annis shawlette for Mom

This shawlette has the lace done first and then short rows of stockinette to the top edge.  It is crescent shaped, and was a very different looking thing on the needles as it was being worked.  This particular piece didn't get quite as large as the pattern suggested for blocking.  The pattern suggested fifty six inches in width, I got about fifty two inches, and I blocked it out about as far as I could.  The yarn was beautiful, but it did lose some color in the wash water, but the finished piece doesn't look any lighter, so the color was probably excess dye on the fiber of the yarn.  I put it through several hot water rinses to be certain I got all the detergent out of the fiber, and to rinse out as much of the dye as would come out so that the shawlette wouldn't lose color onto any garment it would come in contact with when worn.

I do have a set of blocking mats from Knit Picks that I shot a picture of this piece on before washing so that you can see how much knitted lace changes from the needles to the shawl.


Before blocking - notice the size

This picture gives an idea of the size before blocking.  The tape measure shows about twenty eight inches, I thought I'd have plenty of space on these nice blocking squares. Not in real life though... I blocked the wet knitting out to the fifty two inches and it took my other set of squares, an alphabet play set that I bought at Walmart for about twenty bucks a few months back.  I knew I'd need them for the Shipwreck shawl I'm planning - I'm sure glad I had them for this!  Hideous colors, so I won't blind you with a photo of the lace being blocked, but they worked very well to hold the pins in the points of the lace.  I do have blocking wires, but they are not the super flexible ones, so I only used them for the ends of the lace where it is flat.  I used extra fine sewing pins for the points of the lace, being sure to catch at least two strands of yarn in each point.

Close up of lace before blocking

The process of blocking is pretty simple.  Take the wet knitting and stretch it out, using pins at all the points of the lace to pull them out and lay the knitting very flat and allow it to dry in that state.

 

The reality is a little more involved. 

 

1. Take the sloppy looking mess of knitting and soak it for a half hour in hot, soapy water remembering not to agitate it at all. 

2. Become horrified by the dark purple water under the suds.

3. Bundle up the knitting and squeeze out still more dark purple water and suds.

4. Remind myself to relax - there is still purple yarn in there.

5. Refill the bucket with more hot water and push the tiny bundle back into the water.

6. Become alarmed again by the dark purple water.

7. Repeat the hot rinse a couple more times, carefully watching to see if a white shawl will remain at the end of this process.

8. Relax a little when the color bleed slows down after the fifth rinse.

9. Take the little bundle out of the water, squeeze out most of the water and carry the tiny bundle down to the blocking board.

10. Start pinning it out after threading the two straight edge bits onto blocking wires.

11. Discover that the fancy branded knitting blocking squares are not even close to being big enough to do the job, no matter how cleverly configured.

12. Move the whole shebang to the kitchen counter and retrieve the other set of mats - the hideous bright colored alphabet set mentioned earlier.  I am NOT shooting a picture of lovely lace on those ugly things!

13. Start over, pinning the knitting out and re-pinning as it grows, and grows, and grows!  This piece more than doubled in size from the needles to the blocking.  I was amazed!

14. Wait for the thing to dry, finding somewhere else to prepare and eat my meals so I don't have to disturb what now looks very fragile, airy and light.

15. Remove a couple of pins after about 12 hours, gasp with delight that the lace holds the shape.  Then remove the rest of the pins and wires and let the knitting rest for a couple hours.

16. Prepare the dress form and shoot some pictures!

 

Even though I did this before with my first shawlette, I didn't use such fine yarn and didn't block it out as far.  I really was not prepared for the beauty and diaphanous quality of the finer yarn made into knitted lace.  I can hardly wait to begin the Shipwreck shawl.  That pattern is a very large circular shawl - almost six feet across when blocked!  Glad I had this experience first to prepare myself for that, although I love to be surprised by beauty like this.  I think Mom will be delighted with her pretty shawlette, and I hope she gets a lot of use out of it.

 

Next on the needles is a heavily cabled sweater for myself.  I'm already started on it and I'm enjoying this knit a great deal.  I like to keep one project in heavier yarn in progress for when I just want to knit something that I can really see progress on. Finer yarns are great, but the projects seem to go so much more slowly...

 

Still spinning on the singles for the Shipwreck shawl.  I've got about 600 yards of the sequined yarn and over 400 yards of the yarn without sequins.  I'm into the last ball of the Louet Northern Lights pencil roving in the Violets colorway and I've got a full bobbin of the purple recycled yarn ready for plying when I'm done with the LNL singles.  I'll probably cast on the shawl and get started on it so that I'll have some idea of how much more of the yarn I'll need of each style.  The sequins are in the netted part out toward the edge, so I expect that I'll need more of that.  The total shawl takes about 1600 yards, so I'll have plenty of knitting to do.

Through the Loop...

Finished spinning the Loop bullseye bump.  Let it rest on the bobbin overnight and then chain plied it on my Louet wheel. 

Plied "Goddess" from Loop on the Niddy Noddy

I have a system for chain plying that works well on that wheel.  I put the full bobbin of singles behind my shoulder on a ledge behind my spinning chair.  I draw off the bobbin in a straight line to the orifice of the wheel so I don't have as much snarling of the singles as I work.  To do the chain ply, I tie a loop onto the bobbin leader and put my right hand thumb and forefinger through the loop.  Then I draw a loop of singles through the loop on my right hand with my left hand forefinger and draw it out about 20-24" (I've never measured - oops!) until my left hand reaches a spot on the wall.  Then I bring the loop over to the continuous strand from the bobbin and do a counted number of treadles, in this case 13.  I do this for consistency of my plying twist - and I do count treadles, then stop the flyer and wind on the finished yarn.  Fiddly, yes, but I like the evenness I get in my yarn from all the counting.  It isn't perfect, I don't think handspun is, or at least mine never is perfect.  But I love my yarn, so it works for me.


Full view of the finished yarn on the Niddy Noddy.

This skein's vital statistics are as follows: Loop bullseye bump in the "Goddess" colorway.  I don't think this is one of the repeatable ones.  Fiber content is Merino, bamboo and tussah silk in undisclosed percentages.  At a guess, I'd say about half Merino from the way it spins up.  It became a very nice and soft yarn.  Not much sheen or springiness, probably because of the silk and bamboo.  The skein weight is 4.7 ounces or  132 grams, length is 686 yards and 24 wraps per inch before washing.  It isn't dry yet, but it doesn't seem to have much spring to it, so I don't think there will be much change in this skein as it dries.



Full view of the "Goddess" skein

I washed the skein in hot water with a small squeeze of Dawn Olay Hand Renewal dish liquid in the Lavender scent.  I was really hoping for some color bleed to tone down the bright green, but that didn't happen.  I may still split off the colors later on, but I'm currently considering a round yoke sweater using this yarn for the colorwork portion.  If I break up the colors, I could overdye that green with something else to tone it down - maybe a peacock blue or a darker green, just to knock the intensity down a notch.  Another option would be to plan the colorwork specifically to break up the stitches to small "pops" of the green.  The quilters call that kind of oddball color a "poison color" that is needed to energize the color scheme of a project.  In a colorwork yoke, I'm thinking of doing something floral... maybe iris or violets... or maybe something abstract, I haven't decided. The grist of 24 wraps per inch makes it a fingering weight yarn, so I do have plenty of options.  Many suppliers make a grand array of colors in this yarn weight.

Close up of the "Goddess" skein - color is more accurate in the full skein photo.
 

This seems to be my default yarn.  It is what I naturally seem to spin.  Unless the fiber wants to be something else - but then I have to pay closer attention to maintain some other grist.  But I do make the attempt, especially with the superfine wools I've been sampling lately.  Speaking of that, I'll show you what I've been sampling in the last few weeks.

This particular sample is also from the Loop Fiber Studio and it came in the box along with the Goddess bump as a gift.  It is a sample of Steph's Spontaneous Spinning Clouds.  The fiber is carded but not aligned in a batt or top.  This little bit had white and a pale pink fiber with a smidgen of sparkle fiber that appears to be Angelina.  No fiber notations were made so I can only speculate what might be in this yarn.

It is pretty stuff, a 5 gram sample, and I got 20 yards of chain plied soft yarn with a pale golden glimmer that is quite appealing.  Only enough for a little accent on a knitted piece, but scrumptious enough to be worth it.

Also in progress is some of the Grand Champion Targhee fleece that I purchased at the Wisconsin Sheep and Wool Festival last month.  I chose some of the fleece near one edge and did some lock washing on it.  Then I flick carded and spindle spun some of it quite fine.  Chain plied on the spindle - because the Louet pulls too hard to ply a super fine yarn, it breaks the singles.  We have an understanding now, and there is much less frustration.  There are some things a Louet S-10 does marvellously well, but fine yarn isn't one of them.


Grand Champion Targhee fleece, yarn sample

Statistics on this sample are thusly: spindle spun singles clockwise, spindle chain plied counter clockwise.  Before washing, it measured 28 wraps per inch and 13 yards.  After washing the sample is 27 wraps per inch and 12 yards in length. Pretty springy yarn, not quite as much as the super fine Corriedale that I prepared with the same method.  This is a very pleasant yarn, still in the fingering weight range, even though it feels finer. It will be a great pleasure to work through this lovely fleece!

Gone Loopy...

Spinning is one of my favorite things to do.  Takes me to a wonderful, peaceful place with very few distractions. Of course, it also helps that I'm doing it in the middle of the night!  Even so, there is something creative and tranquil about the feel of prepared fiber slipping through my fingers on the way to the spindle or wheel.  Currently I'm working on a bump of fiber from a online shop called Loop.  This is the photo from the advertisement:

It is called "Goddess" and it is made up of Merino wool, bamboo and tussah silk.  It is spinning up well, although not especially quickly since it wants to be pretty fine singles.  Most people chain ply these bumps, and for a while I was thinking of doing the same thing.  I'm into the bright green part right now and I'm not crazy about the contrast with the other colors, so I'm considering removing the bright green and spinning it into a separate yarn.

Here's a shot of the bump after I started spinning the olive green section at the center of the bump. 

One of the interesting things about these bumps is that the fiber pulls from the center.  Most of the fiber I work with isn't put up this way, so it has been a new experience for me to spin from this kind of preparation.  One thing that is going to be nice is that I'll have a bit of time to decide how to handle that bright green, and it will already be in the spun singles form.  The blue is also quite bright, but it doesn't bother me as much.  An option I've considered is to use a neutral ply to tone down the brilliant intensity of the bright green.  I will keep on spinning the singles while I think this over.  I'd welcome any opinions on this quandry, please use the comments section to contribute your thoughts.  There are 4.6 ounces of this fiber, so in a chain ply, I'd probably end up with about 500-600 yards or so of a three ply in approximately fingering weight yarn.  If I do a neutral ply I'd have about twice that.

Here is a shot of the bobbin with the singles in progress:

As I've worked with this fiber, I've thought about making my own interesting color combinations, but doing up the colors as separate small batts from my drum carder.  Perhaps blending a small bit of the colors so that the progression is smoother between the colors.

But that is an experiment for another day.... I remember how long the color study took me to finish!

Happy Birthday to me!

It's my birthday, and I wanted to tell you about what I've been working on lately...

Well, once again I'm chugging along on projects.  Here's one:
The second pair of slipper socks.  This is the superwash part that doesn't felt.  Next thing is to pick up stitches and make the sole out of feltable wool.  This one will have the Fairy Tale color of Wool of the Andes that I had left over from my sweater.  Should be wonderful - and the best part is that the soles don't take very long to knit.  I'll get started on the top of the second slipper in the superwash so I've got simple knitting to do at Church tomorrow.

I've also been rummaging through my stash.  Did some more spinning too.  This time it was a smidgen of combed Merino top from Ashland Bay in the colorway Rose Quartz.  Their top is such a delight to spin!  Before I knew it, I had finished it up and then Navajo plied it.  Washed up and skeined it looks like this:

The vital statistics on this little skein are: Singles spindle spun clockwise, Navajo plied 15 treadles. Weight: 52 grams and 212 yards.

I think it is a lovely heather - looks like dusty mauve overall, but there are so many colors in this one!  From yellows to blues and several reds and violets.  Up close it looks like this:

If you click on the picture you can zoom in as far as you like.  This yarn is so soft - being Merino I expected that - but still, I'm thrilled!  Might do some lacy mitts with some Fair Isle patterning with the Amethyst skein I told you about a while ago.

I've also been spinning some Cormo top from the Riverwinds Farm in Boyd, Wisconsin.  I bought 4 ounces of this blended gray from them at the Jefferson Sheep and Wool festival back in September 2011.  I've put two or three spindles full onto the bobbin for plying and I've got another one started:

It is just as soft (if not softer) than the Merino, so it may get a role in the mitts as well.  This soft stuff is spinning up pretty fine, so it will be interesting to see how it works up.  Might even have enough left over for socks - at least the cuff part of socks.  I'm not sure how well this super fine wool would wear in socks.

Here's a closer look at the singles on the spindle:

Mighty pretty color and so fine and soft.  Spins so smoothly, it is difficult to stop spinning.  I guess I've been fooling with the Nasty Romney for so long I'd forgotten how nice it is to spin good wool!

I've also been digging around in my storage unit and finding a lot of my older handspinning.  I'm getting it out and rewashing it a skein or two at a time.  I'm amazed at how far I've come in my skills.  Seems to me that it is good to revisit my old yarn - and my old spinnables that aren't yarn yet.  There are some neat possibilities for me to explore in those boxes... I'll shoot some pictures of my "beginner yarn" once the skeins are dry.

Because I can...

I've been musing lately on the reactions I get from people who see me spinning or knitting.  Most folks know what knitting is and what it looks like when people do it.  The oddity seems to be that people are somewhat uncomfortable that someone would have the audacity to do such a thing IN PUBLIC!  My goodness, what would become of me if people saw me doing this?

I can tell you what happens... because I do it in public all the time.  People stare for a while, and if they get bold enough, they start asking questions. 

• "What are you doing?"  Spinning wool into yarn, or knitting socks....
• "Can I touch it?"  Of course....
• "What are you making?"  Yarn, or a sweater, or whatever it is that I'm working on.

and my all time favorite question:

• "Why would you want to make yarn when you can buy it?"  This gets interesting, if the person seems to be of the artistic nature, I can explain the colorwork or the blending of different types of fibers to get precisely the yarn I want.  If the person isn't the artsy type, it can be a lot of fun, but I usually end up answering simply: Because I can.

Most of the world is all about hurry up and get everything done as quickly as possible. The very nature of spinning singles, plying them into yarn and then knitting with what I have spun sets up all kinds of quandries in people's heads.  Most cannot even fathom making anything from scratch, be it a meal, clothing, furniture or what have you.  They think it is quaint and old-fashioned to make things.  Perhaps it is... but it is a skill all the same. 

I cherish the beauty of the things I create with my mind and hands.  I'm delighted that I've been given the gift of creativity, and the sense to use it.  I learned how to do most of this in my college fiber art classes, and have refined and improved my techniques over the years since then. 

So when the world and society whirl ever faster, I choose to slow down, deliberately and happily.

Because I can.

Skill + 1 Up (K&C Blog Week - Day 2)

The new things I've learned this past year could fill pages!  It seems that most anything I attempt, I jump in with both feet and lots of ambition - and sometimes very little sense.  For example, I never knew about all the video help available online until my Mom decided to start knitting.  She thought I could teach her, and I was flattered, and gave it a shot.  But.... she's left-handed.  I thought (all this thinking - I smell smoke!) that it would be easy - just have her sit across from me, right?  Well, maybe not, since not only are the hand positions reversed - the good thing.  The stitches are also reversed - not so good.  I also learned that it is far more difficult to teach things that sound so simple in a book.

With that experience crawling through my cranium, I started digging for more technical information about why knitting "works" the way it does.  I found it in books by Cat Bordhi, Barbara Walker, Elizabeth Zimmerman and one called Knitting in the Old Way by Priscilla Gibson-Roberts and Deborah Robson.  Being rather designer-minded since childhood, these things flooded into my brain and did their own version of the hula in there, showing me possibilities I hadn't thought about for designing my own knitted things.  Only trouble - finding time to knit the samples and (of course) the finished things!

Specifically, I've learned entrelac, which has led me out to the land of madness in terms of picking up stitches and knitting off in other directions - what a design possibility!  Those ponderings led to cables combined with knitted lace patterns, mosaic knitting, really cool Fair Isle ideas and more!

In the last year I've also discovered knitting groups, Ravelry and Etsy.  These are wonderful, each in their own way.  Knitting groups allow me to knit (and spin) in public (not that I was ever opposed to doing that - I don't care if people think I'm weird - I AM weird, and I'm okay with that).  They also challenge me to look at what I'm doing in new ways - other people do different things with their knitting than I do.  The Brain hat comes to mind here... no, I don't have pictures (sigh).

Ravelry..... what a great concept!  I don't even really know how to describe it.  Part pattern library, part social network, part project journal and stash organizer.  I'm still learning my way around in there - so much to see and do!  Might be able to catalog my stash, but that will take a while methinks!  I've found patterns and lots of inspiration in that wonderful electronic environs!  Wandering through French patterns (wishing I remembered more of my high school French so I could use them!) marveling at the differences between designers.  Rediscovering yarns, sources of supply and designers that I'd forgotten, and finding some I never knew before.

Etsy is also a great online venue for all things artsy.  I can look for (and find) most anything I could desire for my fiberish life.  I also have a shop there where I sell my handmade pens www.etsy.com/shop/krwizwork and even though I haven't really talked about it much here on the blog, it is one of the ways I feed my inner artist that actually makes me a few bucks.  People know what to do with a pen.  Hoping to save up the sheckles to insulate my wood shop so I can work out there year around.  But I have had a wonderful time inside with my wool this winter.

I used to joke that I could spin, weave and dye without strong drink.  I finally did more serious work on dyeing this past winter.  I've documented a lot of that early learning here in this blog, in fact, that's why I started the blog in the first place.  Most people get a glazed look when I start talking about fiberish things - and invariably ask "Can't you just buy yarn?  Why would you spin it yourself?"  To which, I have learned to answer "Because I can."  So, in this format, I don't have to encounter the glassy stare.... I can prattle on at length about what is important to me.  So, for the first time in my life, I've found a place to say the things that are "all about me".  Selfish?  Maybe a little, but I've found that there are people who are enjoying my little flight of fancy here.  Maybe not too many, but enough to keep me writing.

Thanks for the challenge Renee Anne, this is FUN! (wink!)